What car I drive or the jewelry I wear is not important 'bout the car I drive or what I wear around my neck We have a natural talent for creating great music and we will continue to do so We got the gift of melody, we gonna bring it 'til the end The music we create is not a fad that will fade out The thing you got to realize, what we doing is not a trend Why is pop music so popular and when will it stop being popular? What's the deal with this pop life and when is it gonna fade out Tired of hearing people criticize the pop music genre Sick and tired of hearing all these people talk about The song was produced by Max Martin and Rami Yacoub, who were responsible for many of the biggest pop hits of the late 90s and early 2000s. NSYNC's song Pop reached number 19 on the Billboard Hot 100 chart and received a positive response from critics, who praised its catchy melody and fun energy. They suggest that the music is all that matters, and it is the foundation of the pop genre, which they describe as "dirty pop" that you can't stop. They ask listeners if they ever wonder why this music gets them high, taking them on a ride and making their bodies start to rock. Throughout the song, NSYNC celebrates the power of pop music and its ability to make people feel good. They emphasize the importance of respect over superficial elements like cars and clothing. The band is confident in their style and message, conveying that they will continue to do what they like, regardless of criticism. The song also explores the criticisms directed at NSYNC specifically, as they discuss the animosity they feel from people who question the type of music they perform. The lyrics assert that pop music is not a trend, but rather a gift of melody that they will continue to bring until the very end. The band is sick and tired of hearing people criticize the pop genre, claiming that it is a trend that will eventually fade out. NSYNC's song Pop is a commentary on the perception of the pop music industry and its longevity. Is that you get hyped 'cause we'll give it to you every time Is that you recognize that its just about respect (oh)Ībout the clothes I wear or where I go and why 'bout the car I drive or the ice around my neck Just worry about trust cause I'ma get mine, people can't you see Now, why you want to try to classify the type of thing we doĬause were just fine doin what we like, can we say the same for you It takes you on a ride, feel it when your body starts to rock Is that you get hyped 'cause we'll do it to you every timeĭo you ever wonder why, this music gets you high? This particular routine received a 9.850 and is absolutely something to clap about.Is that you recognize that its just about respectĪbout the clothes I wear and where I go and why You will witness UCLA choreographer BJ Das (and teammate Norah Flatley) dance along before Wright's last tumbling pass: a roundoff connected to a layout with one-and-a-half twists and a front layout. She's wearing her Black Lives Matter leotard adorned with a raised fist on one sleeve, and she pays tribute to the movement at the end. In the video above, you'll see her routine from UCLA's Black Excellence meet on Feb. Wright, a junior at UCLA, has a floor routine this year featuring "Everybody (Backstreet's Back)" from the Backstreet Boys, "Motownphilly" from Boyz II Men, and *NSYNC's "Pop." It's so much fun, and you can tell she has a blast performing. Regardless, I'll always have a soft spot for the perfectly choreographed, harmonizing groups I used to idolize, so when I heard the music from Sekai Wright's floor routine at the start of the 2021 NCAA gymnastics season, I audibly gasped with excitement. Then One Direction came right on into the picture before their heartbreaking hiatus, they stole my heart. First it was the Backstreet Boys and, my personal favorite, *NSYNC.
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